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Dana Schechter
PAUL WALLFISCH
The Heart Of A Whale

ambient/ elektronika/ wave/dark/gotyk
Trost Records, 2025

Średnia ocena klientów: -    oceń

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winyl : 126,90 zł
W magazynie: BRAK
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format : 12"LP
liczba nośników : 1


nr tytuł play mp3
1 Wolfram Lotz and Elon Musk Have Heavenly 3 am Discount Sushi and Talk about the Future 07:21
2 Wolfram Lotz Prepares to Travel 04:33
3 100 Kilograms / Moon Dune 09:04
4 Wolfram Lotz Goes to the Beach 10:21
5 Wolfram Lotz Watches a Western Spy Movie and Decides to go Shopping for a Lowrider 05:49
6 Forgotten Lights 01:38


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https://youtube.com/playlist?list=OLAK5uy_l85lfge23w_E4dOwgT0Mpy3hUFmh4ZCPI

Dana Schechter: Lap Steel Guitar, Bass, Electronics. - Paul Wallfisch: Piano, Organ, SOMA Pipe, Guitaret. Music from the Vienna Volkstheater production of Wolfram Lotz's play "Die Politiker" directed by Kay Voges; performed live in the theatre, spring 2022. These 2 beautiful exiles travel limbic landscapes and underwater dreams with a map that disintegrates instantly when viewed. Their fractured sounds dissolve and reconfigure endlessly in our cochlea and infest our imaginations with spiked armies of ultra-vivid, sentient and carnivorous coral predators, atavistically intent on devouring the sweet meat hiding deep in the center of the amygdala. Michael Gira (SWANS). Wallfisch has played in bands like Firewater and Little Annie, while Schechter has logged time with American Music Club, Angels of Light and her own Insect Ark, among others; both spent time touring and recording with SWANS. They've been friends since meeting in New York in the 1990s. Years later they forged a stronger connection as bandmates in Botanica. They renewed their artistic partnership in 2021, when Paul invited Dana to Vienna to develop the music for a theatrical spectacle called Die Politiker written by Kleist prize winner Wolfram Lotz. The music from the production provides the foundation for the duo's first album, The Heart of A Whale. Across its six intense tracks one can detect a subtle homage to storied Berlin musical traditions, as the pair puts a raw, often brutal veneer on songs steeped in Weimar cabaret (a la Tom Waits) but updated with a visceral mixture of noise, post-punk, and industrial elements. Performed on a panoply of instruments from bass, organ and lap steel to SOMA Synths, Guitaret, a variety of electronics and a grand piano hammered with a shoe, the music reflects the New York- Berlin nexus they've both been part of for decades. Echoes of Swans, Einstürzende Neubauten and The Birthday Party, but also hints of Throbbing Gristle, Eno and even William Basinski and Michael Gor.......
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