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Los Piranas
Una Oportunidad mas de triunfar en la vida

folk/ethno/ postrock
Glitterbeat, 2025

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CD:15,67€
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cat. no: GBCD167
EAN: 4030433616727
format : CD
number of discs : 1
packaging : digipack
vinyl:24,92€
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cat. no: GBLP167
EAN: 4030433616710
format : 12"LP
number of discs : 1
packaging : singlefold
 


no. title play mp3
1 El nuevo Prometeo
2 El aguazo de Javier Felipe
3 Despectiva caridad
4 Educados por Condorito (Y Don Ramón)
5 Con mi burrito sabanero voy directo al matadero
6 Pateando culos
7 Bájenle a la matrícula
8 Los pendencieros del Latin


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https://youtube.com/playlist?list=OLAK5uy_nYvDOdwICNnK1Ype5SMFbRvJCPpx9WiDA

A veritable supergroup consisting of Eblis Alvarez (Meridian Brothers), Mario Galeano (Frente Cumbiero) and Pedro Ojeda (Romperayo), Los Pirañas, the Colombian Avant-Latin experimentalists, return with their most formidable and forward-looking album yet. Improvised live in the studio, with each member contributing ideas and interpretive strategies, the result is a masterclass in spontaneous, collective composition.

Daring, imaginative, eclectic and always deeply groovy, Una Oportunidad más de triunfar en la vida is an infectious trip into the dark, pulsating heart of Bogota’s thrilling underground music scene.

——————————————-

The album title translates as One more chance to succeed in life. Not that they need it. The trio of guitarist Eblis Alvarez, bassist Mario Galeano and drummer Pedro Ojeda has been successfully carving out a wildly idiosyncratic musical world since the release of their debut album in 2010, pushing the boundaries of instrumental Latin tropical music with bold infusions of psychedelia, dub, minimalism and more.

But their journey started a long time before that. All three attended the same high school and have been playing together for three decades, since they were around 15 years old. “We started with punk and heavy metal,” Ojeda recalls. “Then we were very interested in Colombian tropical music and traditional music from Colombia and Latin America, and that led us to focus on African music. It’s been a long road.”

Along the way, the unfettered, spontaneous improvisation of jazz has been a crucial touchstone. “When we started playing in an improvised setting, we were very influenced by free jazz from the ‘60s,” says Ojeda. “But now we are more into making music for the dance floor and music that has a beat and a strong feelin
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