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Various
SPIRE - Organ Works Past Present & Future

ambient/ awangarda/ poważna
Touch, 2003

Średnia ocena klientów: -    oceń

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CD : 82,90 zł
W magazynie: BRAK
Szac. dostępność:
ok. miesiąca ?
Nr kat.: Tone20
format : CD
liczba nośników : 2


nr tytuł play mp3
  CDOne:
1 Leif Elggren
2 Z'EV
3 Philip Jeck
4 Sigtryggur Berg Sigmarsson
5 Charles Matthews
6 Marcus Davidson
7 Scott Minor/Fennesz
8 Finnbogi Pétursson
9 Biosphere
10 Toshiya Tsunoda
11 Tom Recchion
12 Lary 7/Jeff Peterson
CDTwo:
1 BJNilsen
2 Scott Taylor
3 Jacob Kirkegaard
4 Oren Ambarchi/Tom Recchion
5 Chris Watson


  powiadom mnie kiedy pojawią się sample
  poleć znajomemu

 

* 1st fruits of collaboration between Fennesz and Sparklehorse - recorded in Geneva by Christian Fennesz and Scott Minor

* Touch regulars Biosphere, Philip Jeck, Benny Nilsen [Hazard], Chris Watson...

* Newcomers include US free music composer and designer Tom Recchion, UK's Scott Taylor, Icelandic artists Finnbogi Pétursson and Sigtryggur Berg Sigmarsson, and one of Sweden's premier performance artists Leif Elggren [The Sons of God, Firework Edition Records etc.], and one of the Kings of Elgaland-Vargaland

* UK finest organist Charles Matthews and classical composer Marcus Davidson

* Highly regarded Japanese field recordist Toshiya Tsunoda





The story:



The thought of producing a compilation where the tracks were all either inspired by or more directly influenced by the organ had been frequently aired over the years. The conversations were always animated and expansive. The organ works of Arvo Pärt, those performed by Christopher Bowers-Broadbent, a pupil of Richard Rodney Bennett at the Royal Academy of Music in London, and others, have reached a wider non-classical audience. Eventually Benny Nilsen arranged to visit St. Mary's Church, Warwick and work with one of England's finest, Charles Matthews. Crawling around inside the instrument, positioning microphones most appropriately in the Church, or 'capturing' the psalms composed by Marcus Davidson, Nilsen explored the possibilities with all the familiar lust of the avant-garde.



As the brief widened, so did the responses... some contributors referred to earlier versions of the organ and its often highly political usage, others explored aged instruments themselves. Some studied the effects of the sounds produced on the physique and the psyche, others conceptualised the brief and either built their own or recorded natural or man-made phenomena which utilised the same basic pr
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